Pinball FX3 Williams Pinball Complete Buyer’s Guide: Rankings & Reviews

Welcome to The Pinball Chick Complete Buyer’s for Pinball FX3’s Williams Pinball Collection. We’re going to keep recreations separate from original tables at The Pinball Chick. This guide will be updated as quickly as possible (about a week or so after each set releases) to add every new Williams pinball table. This guide will NOT include the 1up Arcade Attack from Mars stand-alone 3/4 Scale Tables. That will be reviewed separately. This guide currently only reviews the Standard Modes for each table.

Pinball FX 3 Williams Pinball Collection DLC Pack Ratings

Based on the Average Rating of the Tables between myself, Ozzie, and Jordi. All reviews are done by me, Cathy, the Pinball Chick.

#1: Universal Monsters Pack

2 Tables for $9.99
Average Rating: 4.0
Certifications: Monster Bash (Certified Excellent)

Not having a third “drag” table almost certainly elevates the Universal Monster Pack, but actually, I feel it’s deserving of the top spot regardless. Would *I* put it #1? No. But it does score the highest average among the three of us. Given our wide variety of likes and dislikes, it’s saying something that these two tables scored well across the board. The highlight is Monster Bash, George Gomez’s genuinely heartfelt send-off to an entire era of Bally Pinball. Monster Bash is a table that anyone of any skill level can enjoy, perhaps uniquely so among late arcade-era tables. Creature from the Black Lagoon is a decent, unspectacular, somewhat over-rated bonus.. BUT a great table to practice low-angle shots on. In fact, that’s probably the best thing I can say about the Universal Monster Pack: veterans can enjoy it, but it’s a tremendous introductory pack to pinball as well. It deserves to be #1, one less table or not.

#2: Williams Pinball Volume 1

3 Tables for $9.99
Average Rating: 3.8
Certification: Medieval Madness (Pantheon Certified), The Getaway: High Speed II (Certified Excellent)

The irony here is that I previously had this set ranked #1 before we decided that DLC Packs would be ranked based on the team scores. Want double the irony? My controversial “low” score of GOOD for The Getaway: High Speed II knocked this out of a tie with the Universal Monsters Pack. A tie that would have been won by Volume 1 by virtue of having one more table. When I pointed out to Dad that he was the lone person who scored Junk Yard THE PITS (Jordi and I have it as GOOD) and also the lone GREAT vote for Creature from the Black Lagoon (we have it as GOOD as well), Dad said we’re dumb for liking Junk Yard and it’s not his fault we underrated Creature. As always, everything is my fault. Sigh. At least Jordi is entertained.

Regardless of our team dynamic, Williams Volume 1 is a sure-fire bet. It would seem most people rate Getaway higher than me, while few rate Medieval Madness #1 (though almost everyone agrees it’s a masterpiece). If you really enjoy precision shooting, you’ll like Getaway a lot more, whereas I enjoyed Pinball Arcade’s take so much better. Which is rare, by the way. It was the only Pinball FX3 table I had in a higher rating tier for Pinball Arcade. The controversy extends to Junk Yard. Professionals Pinheads HATE it for being a wood-chopping table. Junk Yard and Hurricane are easily the two least popular tables among the super-duper skilled (like my Dad), while casual fans (like Jordi) or experimental fans (like me) tend to be more forgiving. One thing all sides can agree on: Medieval Madness’ incredible multiball stacking and NASA-level calculated scoring make it one of the very best late arcade-era tables. This set has something for everyone and is the best three-table collection you can buy so far.

#3: Williams Pinball Volume 2

3 Tables for $9.99
Average Rating: 3.4
Certifications: Attack from Mars (Pantheon Certified)

Another pack that split our team. Attack from Mars is an incredible table. In fact, it’s the only table I describe as “perfect” even though I don’t have it ranked #1. I just can’t find anything wrong to say about it. (Maybe too bouncy with the new physics for Pinball FX3). The other two tables make for a much more interesting debate. Jordi and I disliked The Party Zone, with me rating it the second worst table. Dad actually liked it, saying that, yea, the game can be limited to two simple, forgiving shots. BUT that you’re rewarded for voyaging away from them to attempt higher risk stuff. Dad also thought Party Zone had educational value, teaching new players the need to nudge to get ahead.

Black Rose fared better. An incredibly tightly-packed table that introduced the Brian Eddy signature “centralized target”, it’s also one of the tables that debuted in Pinball Arcade but wasn’t done justice until Pinball FX3. The better physics makes this table such a joy to play. That is, when the outlanes don’t swallow up your multiballs right off the bat. Overall, this is one of those “buy the masterwork, get the other tables as a bonus” type of deals. How much you like that bonus depends on if you like the absurdly overly-simply Party Zone or the potentially fun but often unfair Black Rose. Anyone should feel perfectly fine with just Attack from Mars.

#4: Williams Pinball Volume 5

3 Tables for $9.99
Average Rating: 3.2
Certifications: None

A solid pack with a variety of tables that lacks a particular “highlight” but has not a sinker in the bunch, either. No Good Gofers isn’t much to look at, but the variety of shots and frantic modes make it a lot of fun, even for the Lawlor haters among us (ahem, Daddy). Cirqus Voltaire makes its digital pinball debut in a non-busted way (the Pinball Arcade version saw the ball skip rails) and can be fun when it’s not a grinding, frustrating slog. Finally, Arabian Nights is just a perfectly decent table that’s main complaint is unbalanced scoring.

Volume 5’s main weakness is having two John Popadiuk tables and one Pat Lawlor table, meaning there’s nothing really here for the more conservative pinball fan. Cirqus Voltaire is probably the least Popadiuk-like Popadiuk work, but actually it plays more like a Brian Eddy machine. The Ringmaster toy being central to gameplay might be a turn-off to early-era pinheads, though my 1980-1989-loving, Popadiuk-hating father actually thought Voltaire was Popa’s strongest work. Having said that, this is very much a late-era set, and the only of the three-table Williams sets from Zen Studios that feels like it doesn’t aspire to be “something for everyone.”

#5: Williams Pinball Volume 4

3 Tables for $9.99
Average Rating: 3.0
Certifications: None

With Volume 4, we welcome you to the more polarizing sets from Zen Studios. Williams Pinball Volume 4 barely squeaked by with a 3.0 or “GOOD” average. This mostly owes to controversial White Water, which both Jordi and I rated BAD while my father, Ozzie, went with GREAT. It’s on the top ten list for the Internet Pinball Database (then again, so is Tales of the Arabian Nights and Scared Stiff, neither of which are worthy of top ten all-time status). White Water’s issue is it’s one of the most prohibitively difficult tables ever made. One feature I wish Zen Studios had was the ability to access the “coin door” to mess with the features so my Dad and I could duel under our silly “Galactic Rules” (ten balls + ten potential extra balls + all hurry-ups and modes set to extra easy). Without that, all we have is a table that feels like it’d have a lot of potential if it had less bouncy slingshots, less hungry outlanes, and wasn’t so damn crowded.

Thankfully, the other tables are fine. Mostly. Hurricane just missed a 3.0 average as Jordi rated it “bad”, perhaps justifiably so. Like Cyclone before it, Hurricane feels like it’s meant to be a children’s table. It plays slow, has serious issues (like having no gate that blocks you from stopping the gameplay to ride the Ferris Wheel despite it scoring no points), and can be a wood-chopping slog. Red & Ted’s Roadshow by the always interesting Pat Lawlor is the highlight of the set, even though this is probably his least interesting table. The only SuperPin translated to Pinball FX3 thus far, it’s a mode-heavy table with a humongous playfield that’s fun but too complex for its own good. Ultimately, if you’re in my Dad’s camp and think White Water is the bee’s knees, Volume 4 becomes a safer bet. Having said that, the one constant surprise I’ve had so far as The Pinball Chick is the sheer amount of people who have whispered to me “you’re right, White Water is overrated.” Take that for what you will.

#6 Williams Pinball Volume 3

3 Tables for $9.99
Average Rating: 2.1
Certifications: The Champion Pub (Certified Turd)

By far the lowest rated set by our three-person panel, Volume 3 is the only set that failed to clear the “good” average and thus fails the recommendation of The Pinball Chick as a site. As an individual, I think Theatre of Magic is terrific and rated it a “Masterpiece.” That sentiment was not shared by my team. Jordi rated it “great” while Dad, not a fan of the works of John Popadiuk, considers it his worst table and awarded it BAD based on its lack of balance.

Theatre is still by far the highlight of this set, which features the only pin that scored three THE PITS from The Pinball Chick team. That would be 1998’s The Champion Pub, which all three of us named the worst table in Pinball FX3’s Williams Collection (and Jordi believes could end up being the worst overall table in the entire Pinball FX3 library). An abysmal, anti-fun, unbalanced dumpster fire that has absolutely no redeeming quality except being a “neat idea.” I’m sure it was made with the best of intentions, but good intentions aren’t worth anything if the execution sucks. Meanwhile, Safecracker is a novelty table that’s shorter and more compact than a normal sized pinball machine. The gimmick of mixing a board game with a pinball machine is a complete failure. It’s another table that swept BAD or worst ratings, with Jordi ranking only The Champion Pub behind it among the eighteen Williams pins, while myself and my father rate it as BAD and feel the board game makes success too luck-based. Easily the worst set and the only one that, as a team, we can tell people to pass on without feeling weird about it.

The Pinball Chick’s Pinball FX 3 Williams Pinball Collection Table Rating Index

Pinball FX 3: Williams Pinball Season One + Universal Monsters Pack + Volume 5
Total Tables: 18
Masterpieces: 4
Great: 4
Good: 6
Bad: 2
The Pits: 2

Special thanks to Steve Da Silva for his guides, which were very helpful. I’ve linked to them all.

The Pits

#18: The Champion Pub
Featured in Williams Pinball Volume 3
Based on a concept by Pete Piotrowski, 1998
Ozzie: The Pits (#18 of 18)
Jordi: The Pits (#18 of 18)
Link to Guide
Zen Physics: Oscar defeats Cathy 6 to 5 *Vice Rules require you to have the high score or win by 2 games. Cathy won games 7 and 9 but didn’t have the highest score in the series.

In your heart, you want this to be Punch-Out!! In reality, it’s more like Power Punch II.

Sometimes you hear the concept of a game or a pinball table and you say to yourself “gee, that sounds amazing! I can’t wait to try it!” And then you actually play it, and you realize that what sounded amazing to you (and those who made it) could never actually work when done for reals. The Champion Pub is probably the best pinball example of it.

The Champion Pub has one of the most bizarre development cycles in pinball history. It has no lead designer, and the primary concept came from an engineer by the name of Pete Piotrowski. Piotro Pete was awarded several patents still in use in pinball today, but he wasn’t a game designer by any means. So the people of Williams came together to bring this idea of his to life. The result is one of the worst tables I’ve ever played, and one of the most notorious for breaking down. You don’t have to worry about that in the digital version, though there is a prominent dead zone smack dab in the middle of the table where marooning balls is a common hazard. In real life, you’d have to call an attendant to un-stick the ball, or accept a TILT in order to shake the ball loose. In Pinball FX3, the ball magically teleports to the chute to be auto-launched back onto the field. That’s nice, I guess.

At one point I launched a ball so hard off the ramp that shattering the glass would have been in play.

Pub is such a bad table. The layout is garbage. The fighting concept is extremely poor in execution. I landed head-shots that counted as body shots so many times that the boxing gimmick fails completely. This is also extremely unstable in Pinball FX 3. More than once, the game credited me with starting a multiball despite not having done so, giving me XP for doing so and even leveling-up the multiball boost. This happened once *after* I’d already gamed over and was entering my initials. Like the real table, there’s a gap that allows you to land live balls back into the starting chute, and this seems to trigger the multiball glitch. Since you can use a boost that gives you extra points while in multiball, it’s never clear if you’re scoring based on what’s really happening or what the engine THINKS is happening. Sometimes the camera wouldn’t do a close-up of the jump-rope or speed-bag minigames, and other times it would. It was never consistent.

I feel horrible about this because Champion Pub has fans out there, and having a digital version of a rare table that’s hard to find in working condition (and would breakdown if you got it anyway) sounds like it should be awesome. In theory, this version should be better than a real table. All the fun of the original without any of the mechanical failure bullshit. But the digital table is every bit as unstable and broken as a real Champion Pub machine. It’s the worst of the Williams tables, easily.

#17 The Party Zone
Featured in Williams Pinball Volume 2
Designed by Dennis Nordman, 1991
Ozzie: Good (#12 of 18)
Jordi: Bad (#15 of 18)
Link to Guide

Party foul.

Dennis Nordman made some truly great tables (and some truly over-rated ones too). This isn’t one of the great ones. It’s also one of the few real tables I’ve never played before, but based on what I’ve seen here, The Party Zone has to be one of the worst tables I’ve ever played. This is a miserable pinball machine. It plays too fast for such a limited layout. In fact, the ball practically teleports across the board when you hit it. The key to faster-than-light travel could be contained within Party Zone. The drain is powered by a black hole. About one-third of my launches I never could play because the ball got hung up on the bumpers just long enough for the ball save to evaporate, then dropped straight down the middle.

You’d think a game with a party theme would at least be inviting and fun. But, the primary target has a kicker that can send the ball directly to an outlane. I’m sorry, but I’m of the belief that if you lock the ball on a target designed to score points and the lock throws the ball down a drain or outlane, that’s straight-up robbery. These were designed to cost $0.50 a play, after all. If you’re going to cheat players out of their balls, Nordman might as well of dressed-up like the Hamburglar and beat up school children for their lunch money with shit like that. And what’s actually here isn’t really that good. There are targets in the upper corners that are actually fairly easy to hit, especially the right one which triggers most of the modes of the game. But the modes really aren’t complex or interesting. Really, the only thing Party Zone does is set the baseline for a bad table being recreated as well as possible.

The Bad

#16: White Water
Featured in Williams Pinball Volume 4
Designed by Dennis Nordman, 1993
Ozzie: Great (#4 of 18)
Jordi: Bad (#14 of 18)
Link to Guide

This is the one that gets me blown-up like Robert De Niro in the beginning of Casino.

At least it’s based on rafting and not a real estate scandal.

There’s two types of pinball tables: operator’s tables and player’s tables. White Water is an operator’s table. It’s designed to look pretty, lure in players, make money, and then kick players to pay up for more or let the next idiot pony-up. I consider myself a reasonably skilled player and even after putting a few hours into White Water alone, I still frequently had games that lasted under a minute. For all three balls. There’s no ball save unless you literally score no points. The left outlane is one of the most hungry I’ve ever seen. The orbits are narrow and too steep. In the normal Pinball FX 3 mode, most shots done towards an orbit will result in a straight-down-the-middle instakill if it’s anything but a full-strength hit. This is the one Williams table where I actually preferred Classic mode more. The physics aren’t as punishing.

And the shit thing is, this SEEMS like it should be a fun idea. White Water rafting! Wavy ramps! Whirlpools! Robin Williams.. oh wait, that’s bigfoot. Bigfoot!! But, like The Party Zone, White Water is designed to look great but game over quickly. Dennis Nordman must have been a fucking all-star with arcade owners for as often as he cranked out brutal but irresistible tables. It was suggested to me that you had to use the tilt on this table more than any other, but I *was* tilting and it didn’t matter for drain-shots. The outlane? Sure. But there’s also a limit for how many times you can use that. Plus, many times I’d start a multiball only to have the VKU feed an unplayable house ball straight down the drain. White Water not having ball save is a crime against humanity. After a certain point, you just have to concede that a table isn’t fun, was never supposed to be fun, and move along. White Water should never have been ported to Pinball FX 3. It’s a table designed to cheat players out of quarters, and nothing more. Easily the most over-rated machine of the solid-state era.

#15: Safe Cracker
Featured in Williams Pinball Volume 3
Designed by Pat Lawlor, 1996
Ozzie: Bad (#15 of 18)
Jordi: The Pits (#17 of 18)
Link to Guide

“Let’s have a smaller table, but let’s pack as much shit into that smaller table as we would a normal table.”

Safe Cracker has its fans because it’s just so weird, but I really was just bored silly by this table. And that’s heart-breaking for me because Pat Lawlor is my all-time favorite designer. But, not every idea is a home run. Clearly Safe Cracker wasn’t, as operators weren’t inclined to order it. At 1,148 units, it’s his lowest-selling table (at least from his Bally era). In part because the table is significantly shorter than other tables, which makes it look kind of dumb when displayed near other tables. The other reason is because it runs on a timer instead of having three balls. Safe Cracker is a anomaly among pins. As one reader of mine put it, a niche of a niche. Combining pinball with a board game.. a very slow, very basic board game.. the primary draw to players was the idea that you’d win real collectible coins by playing well. Of course, that novelty is lost in a digital translation.

The board game is extremely limited and based on chance. When I finally got to the center and got my first non-existent token, I didn’t feel accomplished. I felt like luck finally played out for me. I’d played rounds where I’d added tons of time extensions, but because the dice rolls didn’t work out for me, I didn’t make it to the center. The time I did happened during one of my less well-played rounds.

All that remains is a basic, bland, overly crowded table with nubby electro-mechanical era flippers. Safe Cracker feels like one of those higher-end toy pinball tables you spend $200 for at Christmas.. nowhere near arcade quality, but kids are dumb and won’t realize it.. then you watch in horror as your kids play a couple rounds, then never touch again. I’m not even exaggerating. It feels like a toy pinball table. The point of the table is really to move the action to the backglass, where the board game takes place. You roll dice, move spaces, and if you can make it to the center of the board, you win a real life coin. Only you don’t here. An animation of a fake digital coin falls and that’s it.

I could totally get why this table would be so memorable to arcade-goers from the 90s. Not a lot of games rewarded you with actual, corporeal keepsakes you got to take home with you. The only possible reason to want to play Safe Cracker can’t translate to a digital recreation. So, like, why bother? This table sucks without it.

The Good

#14: Hurricane
Featured in Williams Pinball Volume 4
Designed by Barry Oursler, 1991
Ozzie: Good (#8 of 18)
Jordi: Bad (#16 of 18)
Link to Guide

The finale of Oursler’s Roller Coaster Trilogy (following 1985’s Comet and 1988’s Cyclone) and, in my opinion, the weakest of the three. Hurricane is a good table, but in Pinball FX 3, it’s not a great one. Many Pinball FX 3 tables feel like the slope is too steep or the gravity is too strong in the standard mode with the specialized PBFX3 physics. That stood out so much more in Hurricane than any other table. I own a real Hurricane table. It’s not even remotely this hard to get the balls up the ramps or clearing orbits. I’d made flush hits that should have easily had sufficient enough force to climb the front ramp, only to see the ball stop just short of the top and come back at me. But, here’s the weird thing: EVERY ramp had this “YOU ALMOST HAD IT” phenomena going for it. Accessing the Ferris Wheel? YOU ALMOST HAD IT! Accessing the Hurricane roller coaster? YOU ALMOST HAD IT! Accessing the Juggler? YOU ALMOST HAD IT! It got to the point where only trapped tee-shots could ever hope to get the correct force needed. It didn’t feel on the up-and-up. Yea, this isn’t present in Classic mode, but (1) the physics are TOO rubbery-bouncy in any table’s Classic mode for my tastes and (2) you don’t get XP, boosts, or super powers in Classic.

And, while we’re on the subject, as far as I can tell you can’t post any high scores online playing in multiplayer. And that’s a damn shame because, a while back, my father and I had an epic duel at Medieval Madness in Classic Mode where we both surpassed my own posted high score a few times over. There’s really no reason to not have that. Heck, make a Hot Seat leaderboard if you have to.

Hurricane is one of the tables where you can’t really see the back of the table at all unless you use one of the cameras that follows the ball. I wish there was a better top-down view to practice on.

Anyway, it speaks to the potential quality of Hurricane that, even with YOU ALMOST HAD IT syndrome, the table is a lot of fun. Heavy on toys and gimmicks but with a layout optimized for casual fun. Professional pinballers (yes, they exist) hate Hurricane because you can easily “chop wood” (repeat simple shots and grind up points) and draw out matches. Also, Hurricane is easily the table that you’ll want to use the Skillshot boost on the most. You can post a top 500 global score just by having it, the Score boost, and hitting the skill shot all three balls. It worked for me.

#13: The Getaway: High Speed II
Featured in Williams Pinball Volume 1
Designed by Steve Ritchie, 1992
Ozzie: Masterpiece (#1 of 18)
Jordi: Masterpiece (#3 of 18)
Link to Guide

Getaway is yet ANOTHER table that was notorious for breaking down in real life. Getaway had one of the worst fatal-flaws in all of pinballdom. Balls would get stuck under slingshots, which would short-out the MPU. As if that wasn’t bad enough, the owner’s manual had a misprinting that instructed operators to use a 48 volt lamp light instead of a 20 volt. Smart.

This is a hard, hard table. The margin-for-error on shooting is narrow, on a table designed to be (at the time) the fastest in the history of the medium. Getaway: High Speed II is a punishing table. It’s also fun. But very deceptively so. Every single shot is super tight, so if you want a table that’s not n00b-friendly and requires precision, this is really the best table in Pinball FX 3 for that. But, once you get the hang of it, you’ll find a rewarding experience based around lightning-fast timing. Getaway is also primarily built around shooting orbital combos, but the timing for shooting them is more difficult on a game controller than it is for a real table. Once you get the timing down, successfully shooting those combos and seeing the huge scores build up is insanely exhilarating.

Also, this is one of those tables where some of the fun elements from the real machine are lost in translation. Throughout a session with Getaway, you’re supposed to shift gears, which is done with the auto-launching plunger. On a real Getaway table, it’s an actual gear shift! Here, that’s a simple button. It’s an ever-present, problem with digital pinball: some of the charm is lost. Ultimately, Getaway is a strong table, but might be too frustrating for many. It’s also probably the simplest or most “old-school” of all the Williams tables released so far, maybe too much so for snobbish modern audiences. Ahem. Yea, this is the point where my Dad wants to point out that this is his favorite in the series. He’s a Ritchie fanboy. Moving on.

#12 Creature from the Black Lagoon
Featured in Williams Pinball Universal Monsters Pack
Designed by John Trudeau, 1992
Ozzie: Great (#6 of 18)
Jordi: Good (#10 of 18)
Link to Guide

Maybe the prettiest table in Pinball FX 3’s Williams’ collection. So there’s that!

Combine one of the most clever themes with one of the most maddening layouts ever and you get Creature from the Black Lagoon. Designed by John “Horrible Human Being” Trudeau, my main problem is the right lane is blocked by a “transparent” whirlpool that’s isn’t actually transparent. I play the game muted and thus get no cues on when balls are being VKUed to the right flipper, so I’m kinda screwed by this choice. And what am I being screwed by? A feature that’s barely used. In dozens upon dozens of rounds, I only once was able to get into the whirlpool. Granted, doing so paid off huge and single-handedly gave me table mastery status and (at the time) a top 100 global score, but still, it’s a high visual price for a relatively barren feature.

You get there via a two-ball multiball that has no ball save attached to it. Activating multiball was no problem for me. But, the mode would pretty much end in under three seconds every single time I did so, with the very first ball taking a trip down an outlane no matter how I hit it. Creature has too many brickable shots to keep up with such an unforgiving setup. You CAN restart multiball once but that requires hitting the snack bar within a limited time. Damnit, I don’t want to get mad at this table. It sure seems like it should be tons of fun. But the drain is so huge it could be legally be described as a canal, the outlanes are too hungry, and Creature just plain frustrates too much. Good table, over-rated, next.

#11: Black Rose
Featured in Williams Pinball Volume 2
Designed by John Trudeau & Brian Eddy, 1992
Ozzie: Good (#10 of 18)
Jordi: Great (#5 of 18)
Link to Guide

Change what I said about Creature from the Black Lagoon: THIS is the prettiest table in Pinball FX 3.

Yep, this is a John Trudeau table. Yes, the man is a disgusting creeper. Developed alongside Creature from the Black Lagoon, Black Rose has all the hallmarks of a Trudeau design: maddening mulitballs that are designed to drain out before you get a chance to play them. A wide drain. Starving outlanes. But, Brian Eddy (Attack from Mars, Medieval Madness) co-designed it, and his design signature (a prominent central target) is along for the ride. Like the Darth Vader table in Star Wars Pinball, Black Rose is really notable for being a valley-style table, with an empty center for a playfield that runs the length of the board, with the primary target against the back wall and all other targets off to the sides.

And that primary shot is absolutely maddening. It’s crowded, but in one of those logical pinball-type of ways. Hitting the target spoon-feeds the right flipper the ball (just hold it for a trap and you’ll be delivered the ball safely every time). But, the wide drain and sharp angles makes nearly every other target super high risk. Combine it with one of the most impossible video modes I’ve seen (walking the plank, which requires you to pump the action button, which nobody in my house could successfully pull off) and a cannon that, I swear, misses manage to drain out every time. Plus, there’s absolutely no semblance of risk/reward balance. Easy shots pay off huge. Difficult shots aren’t worth anywhere near as much as they should be. Black Rose has a fun swashbuckling theme, but I can’t help but wonder if this table would have been so much better if it’d been a 1996 – 98 table instead of a 1992, when they were just starting to get the hang of more high-concept layouts.

#10: Tales of the Arabian Nights
Featured in Williams Pinball Volume 5
Designed by John Popadiuk, 1996
Ozzie: Good (#14 of 18)
Jordi: Good (#9 of 18)

Every single primary angle has a high degree of risk. There’s not a lot of tables that can say that.

John Popadiuk’s most difficult table by a long shot, Tales of the Arabian Nights shirks the idea of calculated risk entirely. Both primary targets of the table are high-risk shots that spoon-feed the drain and necessitate quick tilting reflexes to truly master. Frankly, I never could get the hang of tilting. As a result, I probably said either “are you fucking kidding me?” or simply moaned in agony dozens of times while playing Arabian Nights. It’s just too damn hard a table to truly be great. That you can’t even shoot main targets without risking the ball draining out can cause great rounds to end suddenly and very, very painfully. Arabian Nights is probably the most difficult good table of all the Pinball FX3 William recreations. That difficulty is not tempered with reasonable scoring balance. Don’t get me wrong: it’s fun to get tons of spins of the lamp, which can end up racking up massive points. The problem is you really can just fap about shooting at the lamp if you can charge its value up enough. The bumpers, ramps, and other shots don’t pay off enough. Tales has horrible scoring balance issues. Not as bad as Theatre of Magic, but then again, it’s not as fun either.

And, frankly, I think it needs a little more time to cook. On a real Arabian Nights table, the magnetic field in front of the genie really shouldn’t lead to an instakill drain-out on players. In the Pinball FX3 version, you have about a 10% chance of a houseball when activating any mode. That number seems to increase when you begin multiball, as over half the time, at least one of the three balls (usually the first one) was unplayable upon being served. That’s especially damning on a table with an already extremely hungry drain and no ball-save for multiball. Arabian Nights also features some tight squeezes among its very cluttered layout. Shots based around using the lower portion of the flippers are among the most difficult shots of the solid-state era. And, again, they don’t really pay off enough to justify it. Arabian Nights is a legendary table, and while it still can be fun (and potentially more fun if the magnetic stuff is stabilized), the prohibitive difficulty muffles the enjoyment. Sometimes legends don’t live up to their reputation. Tales of the Arabian Nights is that type of legend.

#9: Junk Yard
Featured in Williams Pinball Volume 1
Designed by Barry Oursler, 1996
Ozzie: The Pits (#17 of 18)
Jordi: Good (#12 of 18)
Link to Guide

I can just hear the pinball community now. “YOU MURDERED WHITE WATER BUT PUT JUNK YARD #7? JUNK YARD?!” What can I say? Guilty pleasure.

Junk Yard is based mostly around a single gimmick: a second ball that’s suspended by a chain that you whack to hit other targets. At first, a person might think the wrecking ball is all Junk Yard has going for it. And yeah, this is a pretty limited table. There’s no secondary flippers. It doesn’t have orbits to shoot combos. It doesn’t even have bumpers. From what I can gather, it’s one of the least popular tables among professional players, where matches end up slogging and players resort to chopping wood (shooting low-risk targets to grind up scores). Skill shot, extra ball, and Time Machine mode are all shared by a single, easy-to-hit target. It sort of has to, since the rear of the table needs enough room to make the wrecking ball gimmick work. This table shouldn’t be good.

The wrecking ball is dumb fun. Yea, I totally get why pros hate Junk Yard, but this was easily the most popular Williams Pinball FX 3 table in my house among the less hardcore pinheads in the Vice family.

But, I like it. In a guilty pleasure sort of way. Easy to get multiball, easy to get jackpots and super jackpots. A few video modes. A few roulettes. Even the backglass comes into play with random chance prizes. Is Junk Yard a finesse table? No. But it wasn’t meant to be one. This is a rare pinball table from the era where it feels like they knew the end was near and decided to just make the most wild designs imaginable because they might not get another chance to. Certainly worth a look.

The Great

#8: Cirqus Voltaire
Featured in Williams Pinball: Volume 5
Designed by John Popadiuk, 1997
Ozzie: Good (#9 of 18)
Jordi: Good (#11 of 18)

“Let’s give the most expensive table ever a generic circus theme. And we’ll have the bonus points be themed like judges giving scores like in the Olympics, because we don’t know what a circus is. CAN YOU BELIEVE THE PINBALL DIVISION IS LOSING MILLIONS FOR MIDWAY?”

When you play the work of John Popadiuk, you could totally understand why silverball enthusiasts would give him money to make a limited edition table.. and then be crushed it didn’t live up to their expectations (and what they got wasn’t remotely close to finished) because it turns out it’s hard to build and release tables when you don’t have a big ass company like Midway actually supplying materials and facilities for it and a continuing paycheck depends on you actually finishing your work. I get it. Dude made some amazing tables when he worked for Midway, parent of Williams/Bally. Theatre of Magic, World Cup Soccer, Tales from Arabian Nights. All ambitious, and often wonderful pins. He even got tapped to do one of the holographic tables in the Pinball 2000 line: Star Wars Episode One. A case could be made that it was him, and not Pat Lawlor (or Brian Eddy, though I think he’s out of the running by virtue of only having three tables), who was the greatest pinball craftsman at the end of the arcade era of pinball.

Personally, I prefer the white-knuckle challenge of Lawlor’s work or the sheer elegance of Eddy’s catalog to the kooky mad scientist vibe I get from Popadiuk. But, gun to head, if I had to convince a non-pinhead that there’s more to pinball than meets the eye, I’d probably use Popa’s work first. And with Cirqus Voltaire, you can totally see (1) why he’s so cherished and (2) why Williams cratered around the this time. Adjusted for inflation, Cirqus Voltaire is the most expensive traditional pinball table designed to be routed (earn quarters) ever made. But, like so many post-Addams Family tables, it was prone to breaking down, and OUT OF ORDER signs earn no money. I’ve encountered exactly two Cirqus Voltaire machines in the wilds of the San Francisco Bay Area in my lifetime. Both were unplugged and wearing such signs.

I have to believe Cirqus Voltaire originally started life under a different theme. My Dad said he heard it was originally going to be themed around the 1996 Olympics and the Ringmaster would be Izzy, the Atlanta Games mascot. But, I couldn’t find a single thing on that on Google. All I know is the Ringmaster toy IS memorable, but still somehow generic. How is that even possible?

That’s why you have to love Pinball FX3, and really the entire digital conversion revolution as a whole. While Cirqus Volatire is THE dream table many fans of silverball would love to own for real in their homes, it’s also a massive investment. In near-mint condition, CV will run you over $10,000, and if you lack engineering skills, you’ll be spending even more due to issues with the Ringmaster toy breaking down. Which it will. I imagine many a pinball dream has turned into a nightmare with a Cirqus Voltaire investment. It’s why owning Pinball FX3 makes sense to even the most starry-eyed would be pinball owner. 98.5% of the fun, only that missing 1.5% means you won’t ever spend hours giving a deep cleaning and waxing to a table, nor will you start banging your head on the glass when an inevitable mechanical failure happens.

Speaking of which, like many late Williams tables, Cirqus is based around a primary toy target. In this case a green Ringmaster that, I swear to God, looks just like Flabber from Big Bad Beetleborgs. If you use the enhanced visuals, you’ll have the theme song to the song stuck in your head. Unlike Attack from Mars or Medieval Madness, the Ringmaster is off-center with a short orbit behind it. In theory, it should make for a faster-running experience. Instead, the opposite is true: Cirqus Voltaire is actually a slow, deliberate table based around simple angles and lots of multiball modes. And, it’s fun. There’s some weirdness I don’t get. The large ball on the left of the table feels gimmicky and just clutters an otherwise immaculate playfield. Of all Popa’s work, this one feels the least wacky and most simple. Like the rest of his resume, there’s also scoring balance issues that are further compounded by Pinball FX3’s boosts. But, really great table. One of the better recreations in Pinball FX3.

#7: Fish Tales
Free to Download with the Pinball FX3 Launcher
Designed by Mark Ritchie, 1992
Ozzie: Good (#7 of 18)
Jordi: Good (#8 of 18)
Link to Guide

Simple elegance. They really couldn’t have chosen a better table to be the freebie.

Designed by Mark Ritchie (kid brother of the legendary Steve Ritchie, designer of Getaway: High Speed II), Fish Tales is free for everyone as the sample Williams recreation table for Pinball FX3. Probably a good choice for it, too. It’s one of the best selling pins ever, at over 13,000 units made. I joked that Fish Tales was required to be installed in every tavern as part of their certification. I can’t imagine children of the early 90s would be interested in a fishing pinball game. Then again, one of my favorite launch-window Dreamcast games was Sega Bass Fishing. And I did basically use Animal Crossing as a fishing game..

Okay, point taken.

What strikes me most about Fish Tales is how simple it is. Clean layout. There’s no supplemental flippers. There’s no skill-shot with the auto launcher. There’s no complex step-by-step objectives. The targets are simple, the ramps and orbits have clear, easy shots. Maybe too easy in the case of the ball lock. It got to the point that I could very easily shoot three consecutive shots into it without breaking a sweat. Not that the rest of the table is easy. In fact, I died as a result of the multiballs that lock triggers. Still, Fish Tales feels like a table that brings the best qualities of the early 80s through the early 90s without any of the confusing, overly elaborate excesses.

The horseshoe design leads into one of the most intense but simple combo-shooting experiences in PBFX3.

The result is a pretty dang good game. And, like all other Pinball FX3 recreations, this is a solid port job. The biggest flaw in Fish Tales is that Mark Ritchie designed the table to use standard flippers, but the machine shipped with the infamous “lightning flippers” that are very slightly smaller than normal flippers. This was done at the request of UK operators who were pissed that players lasted three minutes at a table instead of under two. Many owners of real Fish Tales tables change over to standard sized flippers, since that was Ritchie’s intent and all the angles were based around them. But, Pinball FX3 offers no such option, and uses the Lightning Flippers despite them being a last second addition to the game to cave in to the demands of bitchy arcade owners. Do the right thing, Zen: give us normal flippers.

#6: No Good Gofers
Featured in Williams Pinball FX3 Volume 5
Designed by Pat Lawlor, 1997
Ozzie: Good (#13 of 18)
Jordi: Good (#13 of 18)

Why not just spring for the Caddyshack license? It couldn’t have cost THAT much by 1997?

Pat Lawlor’s work isn’t exactly known for being newcomer friendly. No Good Gofers, his final table of the arcade era of pinball, is one of his more difficult tables, but also feels like his least inspired work as well. The whole situation is bizarre, because both Gottlieb and Williams made extremely similar tables based on golf that had gophers because they were trying to stoke a Candyshack vibe. No Good Gofers came out four years after Gottlieb’s Tee’d Off and is clearly the better table in every single way. But still, I get a strange “this isn’t really what I want to be doing” vibe from Gofers. Lawlor was coming off Safecracker, which had been designed to be based on the board game Monopoly until Williams dropped the license and he had to switch the theme around at the last second. I always got the feeling Gofers was a rebound table, like he was coming off the disappointment of Safecracker being unpopular with operators and not resembling his original Monopoly vision and his heart wasn’t into it. Plus, there’s been a persistent rumor (completely unverified) that Gofers originally had a large, animatronic gopher toy in the center that was vetoed halfway through development as a cost-cutting measure. If true, that means he dealt with two straight tables that got the screws put to them by Williams.

Whether it’s true or not, No Good Gofers is still a really fun table. Maddening, like any Lawlor pin tends to be, but fun nonetheless. It’s probably one of his faster tables, as evidenced by a VKU throwing the ball at the flippers like a baseball pitcher. But, the absurdity that a golf-based table would play very fast actually works. Even better, the difficulty is tempered with a lot of safeguards to assure fairness. Gofers has one of the more generous kickbacks of the late Williams era and frequent ball save activation. It’s a hard table that goes out of its way to be enjoyable, which is, frankly, the hallmark of Lawlor’s body of work. Well, that and modes. Lots and lots of modes. Do you know what the problem is when you make extremely mode-heavy tables? All but a small handful of them tend to make you wish you were playing the more scoring-heavy ones. It throws an otherwise balanced table’s scoring out of whack. This is further compounded by Pinball FX3’s scoring and mulitball boosts. It’s also one of his least pretty tables, in terms of layout and placement. Gofers is a lot of fun, but it also feels slightly phoned in and an underwhelming swan song for Lawlor. He was supposed to have the first of the holographic Pinball 2000 tables, but his Magic Blocks project was cancelled to devote resources to Revenge from Mars and Star Wars: Episode One. The man deserved to go out on a higher note than Gofers.

#5: Red & Ted’s Road Show
Featured in Williams Pinball Volume 4
Designed by Pat Lawlor, Dwight Sullivan, & Ted Estes, 1994
Ozzie: Good (#11 of 18)
Jordi: Great (#6 of 18)
Link to Guide

I’ve always wondered if this was originally supposed to be based on a licensed property and the construction stuff was added when negotiations for something broke down. Possibly something with a country-music theme since Red is voiced by Carlene Carter, daughter of June Carter Cash.

1993’s Twilight Zone is wide(bodi)ly considered the greatest pinball table ever. Red & Ted’s Road Show is Pat Lawlor’s follow-up to it, and you’ve got to feel for him in the same way you feel for Francis Ford Coppola every time someone talks about anything he did after the Godfather or Godfather II. Once you’ve made anything that’s, according to fans and many peers, “the best ever“, you can’t possibly live up to that prior work again. Road Show doesn’t remotely try to feel like Twilight Zone. The only similarities are being part of the SuperPin line of gigantic wide body tables (in fact, Road Show is the final of the series) and being a mode-heavy experience. Lawlor has a reputation for making the most complex pins imaginable. This one might be more convoluted and confusing than even Twilight Zone.

More than any other Williams Pinball Season 1 table, Red & Ted’s Road Show requires a time investment just to get a feel for what you’re supposed to be doing and how the massive volume of modes work. There’s over twenty, mostly named after cities. There’s a vast, wide open playfield with two nightmare-fuel ventriloquist heads that serve as the primary targets, but most of the modes are activated by shooting ramps and targets behind them. You know what? Fuck it. Just watch this video courtesy of Bowen Kerins and the Replay Foundation. It’s 33 minutes long. Yea, it really requires that much time to figure this fucking thing out.

Did you watch it? LIAR! You did not! And you really should, because you’ll be expected to do all that. Is it fun? Well, yeah. I mean, obviously. I have it ranked as “great.” But Red & Ted has issues. The scoring balance is wonky, with some of the easier modes worth more points than harder ones (and hell, that’s before you factor in Pinball FX 3’s boosts). My Dad’s been on my case all week for rewarding tables that FUBAR the risk/reward balance, especially since that was the main complaint of my Nintendo’s Pinball review. Yea, that’s a legitimate complaint. What can I say? Nintendo’s Pinball isn’t fun. Red & Ted is. Theatre of Magic is. And there’s something about the SuperPin line that makes hitting high degree-of-difficulty shots feel so much more satisfying. My biggest issue with Red & Ted is there’s simply too many things to keep track of, with too many important elements based on chance. Also, I’m going to go ahead and say it: worst launcher/skill-shot ever.

The Masterpieces

#4: Theatre of Magic
Featured in Williams Pinball Volume 3
Designed by John Popadiuk, 1995
Ozzie: Bad (#16 of 18)
Jordi: Great (#7 of 18)
Link to Guide

Not to be confused with Capcom Pinball’s Magic. Speaking of which, Zen Studios has worked with Capcom in the past. God willing, we’ll get a Capcom PBFX3 pack that contains Pinball Magic, Breakshot, Big Bang Bar (less than 10 units made it into the open market), and Airborne. I’d pay $19.99 for that four pack. Are they any good? I don’t know. I’ve never played any of them. Even Breakshot. Here’s hoping!

While John Popadiuk’s story once he left Williams was, ahem, less than inspirational, Theatre of Magic has left its mark on pinball as one of the most popular and influential tables ever. I’m surprised operators allowed this to become such a big hit. A relatively easy (by the standards of the era) table based around shooting combos, Theatre of Magic is built for fun, with any quarters it ate being secondary to that. Originally intended to be based around David Copperfield, Theatre utilizes the magic gimmick to its fullest potential. This includes a heavy use of magnetic areas, including magnets that save balls from outlanes. It’s ambitious, and it works.

Theatre of Magic is a player’s table, and a genuine masterpiece. But, it’s hardly perfect. In fact, my ranking of it at #4, in the masterpiece category, was the source of controversy in the Vice household that led to a full-blown shouting match. I felt the the biggest flaw is the high-risk center orbit that, depending on the angle the ball enters it, can lead to a no-hope (even if you attempt to tilt it) instakill drain-out. My Dad, a pinball purist, felt that an instakill orbit was nothing compared to the utterly broken scoring balance. Simple orbits pay off too much. The multiball is too easy to trigger (even average players should be able to activate it every ball) and jackpots are too easy to come by. The biggest rewards in Theatre come from relatively easy shots. Also, there’s a video pinball mode on the dot matrix display that’s possibly the worst video pinball ever. Why would you do a video pinball mode that bad on any real pinball table? Come to think of it, once we’re doing a video pinball mode on a video pinball game, we’re sort of through the looking glass. Ugh. But ultimately, it feels like a table designed primarily to be fun, not to make money. I can’t justify ranking Theatre of Magic this high, except to say that it’s insanely entertaining. Isn’t that why we’re all here?

#3 Attack from Mars
Featured in Williams Pinball Volume 2
Designed by Brian Eddy, 1995
Ozzie: Masterpiece (#2 of 18)
Jordi: Masterpiece (#1 of 18)
Link to Guide

The real life table was the first pinball machine (and one of the first arcade games in general) that came with an epilepsy warning. My family has an Attack from Mars in our collection that has the strobe lights removed. Besides roughly eight-dozen tables not yet included, my #1 wish-list item for Pinball FX 3 is being able to turn off certain flashing lights. Epileptic people can’t play real tables if they have strobe lights (unless we buy our own), nor can we just go up to the operator and ask if they’re unscrew the lamp lights just for us. They’d be annoyed by it. Video pinball should be their ticket to pinball heaven, but nobody is including options for us. Yet, at least.

Brian Eddy is one of my favorite pinball designers, but the man only really led the design on three tables: Medieval Madness, The Shadow (based on the Alec Baldwin movie, itself based on an old pulp magazine), and this. All three are masterpieces in the annals of silverball. That the medium faded out just as Eddy was hitting his stride is one of the great tragedies of gaming. Attack from Mars is a wonderful table. One of the fastest, high-thrills pinball machines ever made. And one of the best in terms of layout. A clean, simple design with clear targets and simple angles. The challenge comes not from impossible shots but relying on players to feel the pressure of a high score as it draws near. Eddy understood that the best challenges in pinball are ones players put upon themselves.

So, what’s the problem with Attack from Mars? No seriously, I’m asking you. Because I left this part of the review blank for days while I finished off the other tables. I’m here right now trying to figure out a negative thing to say. I can’t. Attack from Mars proves perfection isn’t unobtainable. The scoring balance? Rock solid (even if the “count by hundreds of millions” shtick feels forced). The modes? Easy to grasp, difficult to master, with a perfect tempo. The theme? So much fun. I’ve heard player after player who has been buying these sets tell me that, going in, they thought it’d be Medieval Madness or Theatre of Magic they’d keep returning to, but it turned out that Attack from Mars was that game instead.

Attack from Mars is a close cousin of Medieval Madness. Replace the alien invasion theme with sword and sorcery and really, the two tables aren’t that different.

I hear you asking “so, why isn’t it #1?” Simple: there are two tables more fun than it. While Attack from Mars is genuinely flawless (one of only three games I feel you can say that about, along with video games Tetris and Portal), and one of the best pinball machines ever made, I feel, even at its fullest potential, Medieval Madness and Monster Bash are just more fun. I can’t stress enough: Attack from Mars is the perfect table. In fact, it should be the first table that everyone learning the in’s and out’s of modern pinball practices on. I just watched my nine year old niece get her first wizard mode. Brings a tear to my eye. But Attack from Mars also proves you can be perfect and still not the best.

#2: Monster Bash
Featured in Williams Pinball Universal Monsters Pack
Designed by George Gomez, 1998
Ozzie: Great (#5 of 18)
Jordi: Masterpiece (#2 of 18)
Link to Guide

It’s worth noting that the art for these tables aren’t 100% arcade authentic. Changes were made in order to assure an E rating, which in some cases Zen Studios was likely under contractual obligation to do.

Initially, I had Monster Bash #1, but the more I thought about it, the more I felt Medieval Madness is the most purely fun, perfectly-balanced real table recreated by Pinball FX3. It’s the table I’ll be going back to the most. And thus, Monster Bash wins Miss Congeniality, by a razor thin margin. It really only comes down to how darn precisely measured the scoring for Medieval Madness is. Monster Bash is slightly more chaotic, based around stacking modes. Modes are super easy to trigger, and really, this is one of those wacky fun tables Midway (under the Williams label) was cranking out at the end of the 90s.

My top two tables have a lot in common. They’re player’s tables that feel like a love letter to every eccentric pinball trope. And stacking modes. Lots and lots of modes. Monster Bash is toy-heavy and built around triggering Monster Bash mode, where every single toy becomes active. If you’re playing in the standard mode and have unlocked the scoring boost, you’ll want to save it for this (and stack it with the multiball boost). And by God, this mode alone is probably the greatest multiball of all-time. Monster Bash isn’t perfect. Monster Bash mode is so central to gameplay that everything leading up to that feels more like an arbitrary checklist. I don’t get excited for the other modes the same way I do for starting anything in Medieval Madness. And that’s what really makes the difference. The greatest mode doesn’t make the greatest table. But don’t let that scare you off. Bash is good enough to be worth the $9.99 pricetag of the Universal Monsters Pack alone.

#1: Medieval Madness
Featured in Williams Pinball Volume 1
Designed by Brian Eddy, 1997
Ozzie: Masterpiece (#3 of 18)
Jordi: Masterpiece (#4 of 18)
Link to Guide

The best of the best. At least until Zen ponies up to do Twilight Zone.

What can I say about Medieval Madness that hasn’t been said? It’s one of the all-time greats. It’s one of the last great Williams/Bally tables. It’s designed for chaotic, flipper-mashing mayhem. It guest stars Tina Fey (no joke). This is a wonderful table. Like a more refined, idealized version of Attack from Mars with a dungeons and dragons theme. Which makes sense, since both are Brian Eddy designs. Same basic concept, really. There’s a large, primary target in the center of the field that you chip at. There’s simple orbits on the sides with easy-to-access loops. There’s tons of quick-to-activate modes. Really, it’s Attack from Mars on steroids: bigger, stronger, and slower. But slower in a good way. Really, Medieval Madness couldn’t have handled being as fast as Attack from Mars. It would have ruined the table.

Medieval Madness’ greatest strength is that there’s no wasted room. Every single successful shot feels like the player is getting something out of it. Multiball modes stack. You can cycle through progress of different modes. The biggest issue by far is that the table’s primary target, the castle gate, is designed in a way where the ball has about a 30% – 50% chance dropping straight down the middle from a variety of angles. Which, frankly, is the exact same issue with Attack from Mars. There’s “smart angles” that you can take shooting it, but the margin for error of those angles is razor thin. Also, the super skill shot (which you do by holding the left flipper) is worth less for skilled players (irony) than a standard skill shot because it doesn’t give you multipliers for making it, and multipliers are a bit harder to come by than the points you get from the super skill. But, like I said, nit-picky, as you can tell from the ranking here. Any would-be pinball designer should study Madness in laboratory conditions just to learn how you properly balance risk-reward. Let it be said: no table of the dot-matrix-display era handles scoring better. Medieval Madness is a legend for a reason, and the best real table on Pinball FX 3.

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